The Writer Who Made the Obituary Feel Like Literature
Margalit Fox spent fourteen years at The New York Times turning death notices into compressed histories, proving that a form most readers scroll past could carry wit, depth, and lasting meaning.
The Desk Nobody Chose Most journalists do not dream of writing obituaries. The form carries a reputation for boilerplate: dates, titles, a polite sentence about contributions, then the door. Margalit Fox understood this reputation intimately. When she moved from The New York Times Book Review to the obituary department in 2004, she arrived not because the work had called to her, but because she feared what would appear on her own tombstone someday. "I started as an editor at the Times Book Review," Fox told The...
Read more