Barry Sussman and the Quiet Architecture Behind the Watergate Scoop
How a Brooklyn-born city editor who never got a byline shaped the reporting that brought down a president and what his methods still teach newsrooms today.
There is a photograph you will not find. It does not exist in the standard Watergate iconography no image of Bob Woodward answering a ringing phone, no shot of Carl Bernstein bent over a typewriter, no dramatic close-up of the Woodward-and-Bernstein byline that would eventually sell a thousand books. The photograph that belongs to this story would show a man at a city editor's desk in June 1972, surrounded by the controlled chaos of a newsroom in the hours after five men in business suits were caught breaking into...
Read more